Chicks on the March
( … Hühnern ins Ungewisse)

Court exhibit

Revivre Lacan

The clear view of the copy of the work by Gustave Courbet L'Origine du monde (1866) is only possible in a specific, physical interaction with the showcase object.

Act to Descend a Staircase

The series of artworks by Marcel Duchamp (Nude Descending a Staircase No. 2, 1912, oil on canvas), Hans Richter (Dreams That Money Can Buy, Experimental Film, 1947) and Gerhard Richter (Ema (Nude on a Staircase), 1966 , Oil on canvas) has been continued in 2010 in Act Descending a Staircase.

Pussyhat

The hat was made for Women's March 2017. After years of Donald Trump's presidency, the certainty is now solidifying that it must be secured under a bell jar, always available for the next action.

Sculptress’ Icon

To recreate the urinal (Fountain, 1917), the famous concept work of art by Marcel Duchamp, is an unspectacular idea. Size, dimensions, material, tool marks, curves pressed with the fingers speak a different language than an industrial product created using the technically perfected porcelain casting process as used by Duchamp and which has become an art-historical icon. In contrast to Duchamp's purely intellectual approach, with Sculptress`Icon (2020) the additional inclusion of the handicraft of a female artist is essential.

The auratic object stands on the pedestal. Sculptress`Icon cleverly tries to play around this. The aura of the icon Fountain deceives lying submissively, but remains. A symbol of male intimacy in the communally experienced privy, center of agreements and powerful contracts. One hundred years later, still an issue. It shows that the high-speed pull of modernity of the last century makes us detentive, demands to work off all the new thoughts, ideas, (re)forms. The artist adds almost gymnasial and yet defiantly the own, contemporary point of view - we are also someone nowadays.

Overall

A gender-ambiguous garment was chosen for the work Overall (2019). As a bearer of the artist logo and femininity pictogram, it reflects attitude and philosophy. The workwear character is gender neutral. It is about the potential for activity in the sense of Joseph Beuys' social sculpture. In contrast to Beuys Filzanzug (1970), however, the overall could be worn by everyone and convey a concept in everyday life.

Heavy Cheesecake

Rebiya