{"id":1274,"date":"2023-06-15T17:46:01","date_gmt":"2023-06-15T15:46:01","guid":{"rendered":"https:\/\/yvonnewahl.de\/\/?page_id=1274"},"modified":"2023-08-15T13:29:01","modified_gmt":"2023-08-15T11:29:01","slug":"auto-draft","status":"publish","type":"page","link":"https:\/\/yvonnewahl.de\/en\/works\/auto-draft\/","title":{"rendered":"Chicks on The March"},"content":{"rendered":"

[et_pb_section fb_built=”1″ disabled_on=”off|off|off” admin_label=”section” _builder_version=”4.20.4″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” saved_tabs=”all” global_colors_info=”{}” global_module=”1887″ theme_builder_area=”post_content”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” background_color=”#F7E98C” width=”100%” min_height=”230px” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.20.4″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”|||on|||||” text_text_color=”#000000″ text_font_size=”70px” text_line_height=”1em” header_text_color=”#000000″ custom_margin=”20px|||3px|false|false” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

chicks on
the march<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.20.4″ _module_preset=”default” background_color=”#F7E98C” width=”100%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/yvonnewahl.de\/\/wp-content\/uploads\/2023\/04\/Yvonne_Wahl_Chicks_on_the_March-1024×696.jpg” alt=”Chicks on the March” title_text=”Chicks on the March” show_in_lightbox=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” background_color=”#FFFFFF” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Chicks on the March<\/strong>
( \u2026 H\u00fchnern ins Ungewisse)<\/strong><\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2003
digital photo
23,6 35,4 inch
lambda, alu-dibond
edition 5<\/p>\n

[\/et_pb_toggle][et_pb_image src=”https:\/\/yvonnewahl.de\/\/wp-content\/uploads\/2023\/05\/Yvonne_Wahl_Asservat_01.jpg” alt=”Asservat” title_text=”Asservat” show_in_lightbox=”on” align=”center” _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Court exhibit<\/strong><\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

1996
c-print<\/p>\n

[\/et_pb_toggle][et_pb_gallery gallery_ids=”1064,1062,1068,1066″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_gallery][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” custom_margin=”||||false|false” custom_padding=”0px||||false|false” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Revivre Lacan<\/strong><\/p>\n

The clear view of the copy of the work by Gustave Courbet L’Origine du monde<\/em> (1866) is only possible in a specific, physical interaction with the showcase object.<\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2011
Interactive object
44,3 x 44,3 x 0,8 inch
oil paint on canvas, frame, metal, smart glass, glas, motion detector<\/p>\n

[\/et_pb_toggle][et_pb_gallery gallery_ids=”395,401,407,413,419,425,431,437,443,449″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_gallery][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Act to Descend a Staircase<\/strong><\/p>\n

The series of artworks by Marcel Duchamp (Nude Descending a Staircase No. 2, 1912, oil on canvas), Hans Richter (Dreams That Money Can Buy, Experimental Film, 1947) and Gerhard Richter (Ema (Nude on a Staircase), 1966 , Oil on canvas) has been continued in 2010 in Act Descending a Staircase.<\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2010
media installation<\/p>\n

[\/et_pb_toggle][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.20.4″ _module_preset=”default” background_enable_image=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/yvonnewahl.de\/\/wp-content\/uploads\/2023\/04\/Yvonne_Wahl_Pussyhat-1024×957.jpg” alt=”Pussyhat” title_text=”Pussyhat” show_in_lightbox=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” custom_margin=”||||false|false” custom_padding=”0px||||false|false” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Pussyhat <\/strong><\/p>\n

The hat was made for Women’s March 2017. After years of Donald Trump’s presidency, the certainty is now solidifying that it must be secured under a bell jar, always available for the next action.<\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2017\/20
object
9,5 \u00d7 13,4 inch
wool, glas
dition 99 + ap<\/p>\n

[\/et_pb_toggle][et_pb_image src=”https:\/\/yvonnewahl.de\/\/wp-content\/uploads\/2023\/06\/Yvonne_Wahl_Sculptress_Icon_02.jpg” alt=”Sculptress’ Icon” title_text=”Sculptress’ Icon” show_in_lightbox=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Sculptress\u2019 Icon<\/strong><\/p>\n

To recreate the urinal (Fountain, 1917), the famous concept work of art by Marcel Duchamp, is an unspectacular idea. Size, dimensions, material, tool marks, curves pressed with the fingers speak a different language than an industrial product created using the technically perfected porcelain casting process as used by Duchamp and which has become an art-historical icon. In contrast to Duchamp’s purely intellectual approach, with Sculptress`Icon (2020) the additional inclusion of the handicraft of a female artist is essential.<\/p>\n

The auratic object stands on the pedestal. Sculptress`Icon cleverly tries to play around this. The aura of the icon Fountain deceives lying submissively, but remains. A symbol of male intimacy in the communally experienced privy, center of agreements and powerful contracts. One hundred years later, still an issue. It shows that the high-speed pull of modernity of the last century makes us detentive, demands to work off all the new thoughts, ideas, (re)forms. The artist adds almost gymnasial and yet defiantly the own, contemporary point of view – we are also someone nowadays.<\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2020
object
30,3 \u00d7 60,6 \u00d7 21,3 inch\u00a0
keramiplast, wood, metal<\/p>\n

[\/et_pb_toggle][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/yvonnewahl.de\/\/wp-content\/uploads\/2023\/04\/Yvonne_Wahl_Overall-446×1024.jpg” alt=”Overall” title_text=”Overall” show_in_lightbox=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Overall<\/strong><\/p>\n

A gender-ambiguous garment was chosen for the work Overall (2019). As a bearer of the artist logo and femininity pictogram, it reflects attitude and philosophy. The workwear character is gender neutral. It is about the potential for activity in the sense of Joseph Beuys’ social sculpture. In contrast to Beuys Filzanzug (1970), however, the overall could be worn by everyone and convey a concept in everyday life.<\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2019
object
23,6 x 59 x 3,9 inch
fabric, screen printing paint
edition<\/p>\n

[\/et_pb_toggle][et_pb_image src=”https:\/\/yvonnewahl.de\/\/wp-content\/uploads\/2023\/06\/Yvonne_Wahl_Heavy_Cheesecake_01.jpg” alt=”Heavy Cheesecake” title_text=”Heavy Cheesecake” show_in_lightbox=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” background_color=”#FFFFFF” custom_margin=”||||false|false” custom_padding=”0px||||false|false” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Heavy Cheesecake<\/strong>[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2002
lambda
13.78 x 19.68 inch
edition 6 + ap<\/p>\n

[\/et_pb_toggle][et_pb_image src=”https:\/\/yvonnewahl.de\/\/wp-content\/uploads\/2023\/07\/Yvonne_Wahl_Rebiya_02.jpg” alt=”Rebiya” title_text=”Rebiya” show_in_lightbox=”on” _builder_version=”4.21.0″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” background_color=”#FFFFFF” custom_margin=”||||false|false” custom_padding=”0px||||false|false” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Rebiya<\/strong>[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2003
digital print
14.17 x 11.42 inch
edition 6 + ap<\/p>\n

[\/et_pb_toggle][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_gallery gallery_ids=”1600,1602,1604″ show_title_and_caption=”off” show_pagination=”off” zoom_icon_color=”#F7E98C” hover_overlay_color=”RGBA(255,255,255,0)” _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” custom_margin=”||||false|false” custom_padding=”||||false|false” border_width_bottom=”2px” border_color_bottom=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_gallery][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Pillowman<\/strong><\/p>\n

The type of a North American ideal woman crochets her dream sexual partner.<\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

1996
installation \/ performance,
University of California, Los Angeles
div. plastics, wool, paper, crochet needle, make-up, nail varnish, wig, patent leather shoes, negligee, video<\/p>\n

[\/et_pb_toggle][et_pb_gallery gallery_ids=”214,212″ show_title_and_caption=”off” show_pagination=”off” zoom_icon_color=”#F7E98C” hover_overlay_color=”RGBA(255,255,255,0)” _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” module_alignment=”center” custom_margin=”||||false|false” custom_padding=”||||false|false” border_color_all=”RGBA(255,255,255,0)” border_style_all=”none” border_width_bottom=”2px” border_color_bottom=”#FFFFFF” border_style_bottom=”solid” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_gallery][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Sharp into the Millennium<\/strong><\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

1999
multiple
5,1 x 4,5 x 2,8 inch
paraffin, plastic, wick
edition 125<\/p>\n

[\/et_pb_toggle][et_pb_gallery gallery_ids=”1579,1577″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_gallery][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” custom_margin=”||||false|false” custom_padding=”0px||||false|false” border_width_all=”7px” border_color_all=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Game Console<\/strong><\/p>\n

[\/et_pb_text][et_pb_toggle open_toggle_background_color=”#F7E98C” closed_toggle_background_color=”#F7E98C” icon_color=”#000000″ toggle_icon=”3||divi||400″ open_icon_color=”#000000″ open_toggle_icon=”2||divi||400″ _builder_version=”4.21.0″ _module_preset=”default” title_font_size=”16px” background_color=”#FFFFFF” border_width_all=”0px” border_style_all=”none” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2021
interactive object\u00a0
11,81 x 11,81 x 40,16 inch
bronze, divers alloyed metal<\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

chicks onthe marchChicks on the March( \u2026 H\u00fchnern ins Ungewisse)2003digital photo 23,6 35,4 inch lambda, alu-dibondedition 5Court exhibit1996c-printRevivre Lacan The clear view of the copy of the work by Gustave Courbet L’Origine du monde (1866) is only possible in a specific, physical interaction with the showcase object.2011Interactive object 44,3 x 44,3 x 0,8 inch oil […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":2,"menu_order":16,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1274","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/pages\/1274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/comments?post=1274"}],"version-history":[{"count":18,"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/pages\/1274\/revisions"}],"predecessor-version":[{"id":2313,"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/pages\/1274\/revisions\/2313"}],"up":[{"embeddable":true,"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/pages\/2"}],"wp:attachment":[{"href":"https:\/\/yvonnewahl.de\/en\/wp-json\/wp\/v2\/media?parent=1274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}